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Changing Tastes :: Menus of the Palace Hotel and Chez Panisse
 


The choice to exhibit the menus of these two particular restaurants was due to the striking similarities of the two institutions, despite a separation of roughly one hundred years. The Palace Hotel and Chez Panisse share a common origin in the French culinary tradition. Each restaurant is considered one of the most influential and prominent of its era. Each restaurant gained a reputation for its celebratory dinners in honor of presidents, artists, statesman, writers, and friends. And each has uniquely interpreted this tradition in their own time and place, creating and defining cuisine to suit the tastes of Californians. The juxtaposition of these two collections of menus highlights the change in dining, cooking, and celebrating that has occurred over the past one hundred years in the San Francisco Bay Area.

It is important to make clear these menus reference a certain economic level of society. The lower classes did not share in the wealth that has made possible the excesses of both the Victorian Era and our own time. The menus from these celebratory occasions represent the idea of the elite “grand meal.” Such meals were not common, but were meant to mark special occasions or honor prominent people. Consequently every aspect of the meal, from the style of cuisine, the setting of the table, and the artwork of the menu, marked the occasion as unordinary.

Menus tell us many things besides what is for dinner. The types of foods served, their description, and the manner in which they are served indicate:

  • The social and economic status of the diners;
  • The level of formality or informality of a meal;
  • The culinary tradition, skill level and creativity of the cooks;
  • The seasonality and varieties of foods available;
  • The definition of refinement and good taste during a particular time and place.

The menus from the Palace Hotel reflect the opulent tradition of grand hotel dining and cooking of the late nineteenth century. This style of dining and cooking was popular due to the assumption that French high cuisine indicated sophistication and refinement. The menus from the Palace years indicate a cuisine focusing primarily on meat and fish, with vegetables and fruits playing supporting roles. This style of cuisine relied heavily on sauces, and relied heavily on great amounts of butter, cream, and eggs to enrich an already rich style of cooking. Presented in a proscribed sequence, courses were often composed of multiple dishes, creating a symphony of flavors, textures, and temperatures.

The menus also hint at the great amount of labor and time needed to produce a highly manipulated cuisine in a craft still defined by medieval technology. Legions of cooks, waiters, porters, butchers, dishwashers, and apprentices labored in hot, humid, close kitchens for long hours to prepare an elite cuisine for an elite audience.

The concept of a great meal was tremendously altered throughout the nineteenth century and into the twentieth century. From menus listing twenty or thirty courses and a dozen wines, a simplifying and refining force began to pare down the number of courses and their arrangement. This alteration of the traditional customs of a “grand meal” reflects a similar change that was taking place in the domestic life of the United States.

For most people industrialization and technology greatly altered the relationship between the work place and the home. Traditional customs of dining and eating were greatly affected. This revolution in the everyday changed not only how and what we eat but where, at what time, and with whom we eat. Slow, time-consuming meals were deemed extravagant and old-fashioned. Our sensibilities toward the table began to change in response to the changing values and priorities of an industrialized world. This movement toward greater simplification of menus, preparation, ingredients, and the service of grand meals continued through the both World Wars and into the present.

The cuisine of Chez Panisse is also a cuisine of sophistication and refinement. However, Chez Panisse has a fundamentally different approach from the grand hotel cuisine of the 19th century. Whereas the Palace Hotel was engaged in an international cuisine having little to do with everyday eating or cooking, Chez Panisse takes its inspiration from the more domestic, regional country cooking of France and Southern Europe. This is a tradition of accessible, at hand ingredients from the farm, fields, and orchards. Attention is given to the seasonality of food, reminding the diner of our connections and dependence on the soil for sustenance. Preparations are spare, allowing the integrity of the ingredients to remain the focus.

In the same way that clothing styles, games, and home furnishings tell us about the activity of past eras, menus also present a picture of life in a certain time and place. They are an essential document in not only serving as the memory of a meal, but also as a record into the societal standards and daily practices of the past.

*All menus are from the collections of the North Baker Research Library of the California Historical Society or The Bancroft Library, University of California, Berkeley.

 
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